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From a harmonic point of view this work is not set in a traditional key; instead the harmony develops almost exclusively from the independent motion of the two parts. Structurally the composition depends on negating key expectations by changing certain tones from a flat to a natural, or to a sharp, while maintaining the same melodic pattern. For example, a certain phrase might be followed immediately by the same phrase but with crucial notes either flat or sharp from the initial phrase. This produces a "key-ambiguity." Cadences then depend on the sense of finality created by the interplay of the melodies rather than a tonal harmonic progression. However, in the final movement although the ambiguity persists, the piece comes to rest on a C Major chord. The passing major chords in the final movement create a sense of pathos or of "remembrance."
In this electronic representation there are no breaks between the three movements. In actual performance there should be a pause between the movements.